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contact: johnminkoff@hotmail.com
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John Minkoff
Resume

Born: NY, NY
Resides: Evanston, IL

Solo and Two-Person Shows
Paintings and Pastels, Optima Horizons Gallery, Evanston, IL, 2007
Mystery Spot, John Minkoff and David Hannon, Mitchell Place Gallery, Muncie, IN, 2006
Recent Paintings and Pastels, Lyon College, Batesville, AR, 2002
John Minkoff: Paintings, University Club of Chicago, Chicago, IL, 2001
MFA Thesis Exhibition, Indiana University, Bloomington, IN, 2000

Group Exhibits
Poetry Scores Invitational, 
Luminary Art Center, St, Louis, MO, 2009
Ravenswood Art Walk,
Chicago, IL, 2009
17th Annual Juried Exhibition, Bowery Gallery, New York, NY, Juror: Paul Resika, 2009
Poetry Scores Invitational, Hoffman LaChance Gallery, St. Louis, MO, 2008
Works on Paper, juried exhibition, Evanston Art Center, Evanston, IL, 2007
Hoobellatoo Invitational, Mad Art Gallery, St. Louis, MO, 2006
Feet Here, Mind Wandering, Line Drive Gallery, Evanston, IL, 2005
Faculty Shows, Harper College, Lake Forest College, Evanston Art Center, 2001, 2003
Pastel National 2002, Wichita Center for the Arts, Wichita, KS, Juror: Wolf Kahn, 2002
58th juried Exhibition, Sioux City Art Center, Sioux City, IA, 2002
2000 Pound Gorilla, juried exhibition, Union Street Gallery, Chicago Heights, IL, 2000
Living with Television, juried exhibition, Gallery 2, Chicago, IL, 1997

Education
MFA, painting, Indiana University, Bloomington, IN, 2000
BFA, painting and drawing, School of the Art Institute of Chicago, 1997

Teaching
Adjunct Instructor, Drawing and Design, Harper College, Palatine, IL, 2002-present
Adjunct Instructor, Design, Lake Forest College, Lake Forest, IL, 2003
Painting Instructor, Evanston Art Center, 2001-present
Drawing Instructor, The Art Center,  Highland Park, IL, 2005-present

Collections
Indiana University, Bloomington, IN
Private Collections, Bloomington, IN; Muncie, IN; Chicago, IL; Minneapolis, MN; Baltimore, MD; St. Louis, MO

Other Doings
Guitarist and co-songwriter in the band Enormous Richard and its spinoff Eleanor Roosevelt, 1990-95
     




I work from fleeting thoughts and visual ideas that flicker through my head as I sit, look, and contemplate the canvas. One color or shape will suggest another and this drives the process forward, if slowly. I believe in the immediacy and simplicity of this way of working.

After a long period of seeing these passing images, shaping them together on canvas, I have, when it works, an object of presence, physicality, mystery, and a depicted figure with a particular kind of fleshiness, a particular kind of anxiety.

 The paintings should transmit some mixture of weirdness, exhiliration, perplexity, get the viewer thinking about and feeling these things. It's about moments of pleasure, excitement, moments when you get lost.